Top Bootlegs in My Collection, As of January 2010

So Michael and Josh have asked for a list of my top 5-10 bootlegs in my collection via Twitter. Phew.

Click cover art where extant for the download links. If I don’t have a download link, well, I’ll go and see if I can find the CD and dig that up.

Albums I Have Loved in 2009

This wouldn’t be a proper “here’s what I’ve been listening to” without a GeofCast episode, right? ๐Ÿ™‚ Listen while you read.

[display_podcast]

Let’s follow last year’s mojo:

  • Date is in the range: 01 Jan 2009 โ€“ 25 Dec 2009. Any cutoff point is arbitrary, but this makes sense to me. I’ve been willfully listening to Christmas music lately, so this helps hold the list growth down.
  • Kind does not contain AIFF [to filter out unprocessed bootlegs and demos].
  • Album Rating is greater than three stars.
  • Genre does not contain Concert Bootleg.

This list is unoptimized; itโ€™s actually done in alphabetical order by artist. At the end, Iโ€™ll give a best-of list, countdown style. Because I like embracing constraints, Iโ€™ll give a one-sentence statement about each album as to why itโ€™s just so darn good. If youโ€™ve ever talked to me for longer than 90 seconds, you know that one sentence is an unreal constraint.

  1. Wilco (The Album), Wilco. There are so many good songs on this album, but I thought I’d start with the opening track—it’s a treatise for the record and, frankly, for Wilco as a band at this point.

    Are you under the impression
    This isnโ€™t your life?
    Do you dabble in depression?
    Is someone twisting a knife in your back?
    Are you being attacked?
    Oh, this is a fact that you need to know

    Oh

    Wilco
    Wilco
    Wilco will love you baby

    As someone who “dabbles in depression”, yeah, I love this track … and this album … and this band.

  2. Andrew Osenga - Letters to the Editor, Vol. I and II Letters to the Editor, Vol. I and II, Andrew Osenga. Yes, this is a compilation of tracks that he gave away for free; if you’re cheap, you can get Volume I and Volume II online still. But if you like it, buy the disc and support independent music. I chose “Staring Out a Window (My Confession)” because it just hits home for me.
  3. Stockholm Syndrome, Derek Webb. Okay, you can argue that, as a friend of Derek’s and one of the three guys behind derekwebb.net, I’m predisposed to loving his music. You’re right. But this is a worthy buy for the following reasons: a) it tackles prickly issues of sexuality that most Christians are uncomfortable dealing with b) Fred Phelps gets made fun of c) it’s Derek and Josh Moore doing their best Gnarls Barkley impersonation, without sounding like a cheap knockoff and d) he says “shit” on the record and gets away with it. Sorta. I picked “The Spirit Vs. The Kick Drum” because it’s just a kickin’ little track.
  4. The Hazards of Love, The Decemberists. Many long-time Decemberists fans [of which I cannot claim to be; I’m late to the game] would argue that they feared what being on a major record label would do to their music. But give Capitol all the credit in the world for letting Portland’s finest put out what lesser reviewers would call a concept album, and what I think of as “literature set to music”. The arc of this album is one unbroken story, and it’s just so well-done, with themes repeated and twisted as the album builds on itself. That makes it difficult to pick out one song, but I chose “The Rake’s Song” because that will tell you whether or not you’ll want to listen to the whole thing.
  5. Noble Beast, Andrew Bird. I really thought that Armchair Apocrypha was going to be the apex of AB’s music for me. I didn’t think that he’d make a better record, but to my ears, he did with Noble Beast. Musically, it’s just so strong: songs with movement are just such a rarity in popular music these days that hearing tracks like “Masterswarm” is simply astonishing. It’s impossible for me to pick out a track I love the most, because I love them all, but I picked “Tenuousness” for this GeofCast episode.

If you made it this far, thanks!

GNM: Over the Rhine, 2007-04-21: Joe’s Pub, New York, NY, USA (early show)

Hooray for Archive.org.

Karin Bergquist – vocals, guitar, piano, gourds
Linford Detweiler – piano, guitar, bass, vocals
Jake Bradley – bass, guitar
Mickey Grimm – drums, percussion

AKG C480B/CK61 20′ from stage > Canare/Neutrik > Oade tmod R-4 @24/44.1
CEP 2.0 (volume adjustments, dither to 16 bits) > CD Wave > FLAC Level 6

release2007-04-21: Joe's Pub, New York, NY, USA (early show)

Albums I Have Loved in 2008

Let me be clear: I’m cheating and using iTunes here. Specifically …

  • Date is in the range: 01 Jan 2008 – 31 Dec 2008
  • Kind does not contain AIFF [to filter out unprocessed bootlegs and demos].
  • Grouping does not contain Extant [to filter out where I migrated my library off of my old Mac to my new one]; I then did a manual check of the Extants with a similar list and my Musiclogging archives.
  • Album Rating is greater than three stars.
  • Genre does not contain Concert Bootleg. If desired, I’ll cover the best of the best concert bootlegs in a separate post, probably no earlier than Friday because I’m still adding bootlegs. [I am not adding any more studio releases at this point.]

This list is unoptimized; it’s actually done in alphabetical order by artist. At the end, I’ll give a best-of list, countdown style. Because I like embracing constraints, I’ll give a one-sentence statement about each album as to why it’s just so darn good. If you’ve ever talked to me for longer than 90 seconds, you know that one sentence is an unreal constraint.

That’s 47 albums. Yowza! About one a week … that’s a very, very good year.

Now, I’m gonna take it to 11 … and be a bit more verbose.

  1. Radiohead, In Rainbows. There is nothing that I can add to all that has been said about this album, from the distribution to the music itself. I didn’t buy this until it came out on a physical disc [I’m a curmudgeon and have this problem, which I’m hoping to lick in 2009], but this is the album that made me a Radiohead fan, much as Yankee Hotel Foxtrot made me a Wilco fan. Favorite Tracks: “Nude”, “Reckoner”, “Jigsaw Falling Into Place”.
  2. The Weepies, Say I Am You. 2008 was a weird year for me; I spent a lot of it pursuing a relationship that didn’t ultimately work out, and a lot of this album was my soundtrack. This is right in my wheelhouse, to be sure—singer/songwriter-y, acoustic guitar-driven, solid melody and harmony. In a world where In Rainbows doesn’t exist, it’s my best album of the year. Favorite Tracks: “Painting By Chagall”, “Riga Girls”.
  3. Andrew Bird, Armchair Apocrypha. I bought this album on a lark, because it was well-regarded. Some of my best musical purchases are done that way, and this is definitely one of them. I think what gets me about Andrew Bird is that he’s a self-comfortable artist who is willing to experiment and do big things with his sound. The analog to an artist I’m friends with is the amazingness of Jeremy Casella’s Recovery [and if Jerry ever sees this, he’s gonna hit me for putting him and Bird in the same sentence]. This is one of those albums I find myself singing often, and there is no greater tribute to me than that. Favorite Tracks: “Darkmatter”, “Plasticities”, and “Scythian Empires”. I never will forget whistling the last as I was walking through the Nashville airport on my way back from Philly after a whirlwind, 20-hour trip to see Caedmon’s Call play.
  4. Five O'Clock People - Temper Temper Five O’Clock People, Temper Temper. I was a big fan of 5OCP when they were making music in the 1990s, and so I grabbed this as soon as I heard it came out. It was … nothing like their old sound, in a lot of ways, but man, it frickin’ rocks. Favorite Tracks: “Gold Rush”, “Aftermath”, and “February”.
  5. Gnarls Barkley, The Odd Couple. I had heard all this buzz about Gnarls Barkley, but just … dismissed it for whatever reason. I do that; I’m dumb. But then one day “Who’s Gonna Save My Soul” was highlighted on NPR, and I almost had to pull over to the side of the road, I was so blown away. Favorite Tracks: “Who’s Gonna Save My Soul”, “Run (I’m a Natural Disaster)”.
  6. Death Cab for Cutie, Narrow Stairs. Like with Bon Iver’s For Emma, Forever Ago, a lot has been made about this record coming out of Ben Gibbard taking residence where Jack Kerouac did at Big Sur. I’m of the mind that creative pursuits are often terribly lonely affairs, so I think this was a good idea. This record brought the lyrical brilliance and nose for melody that Death Cab’s always had, but they also exhibited their musical chops on it, too. For whatever weird reason, I want to draw parallels to this and Elliott Smith’s Figure 8. Favorite Tracks: “I Will Possess Your Heart”, “Cath…”, and “Long Division”.
  7. Iron & Wine, The Shepherd’s Dog. I simply did not think that Sam Beam had this much awesome within him. I am very glad to be wrong. Very, very glad. Favorite Tracks: “House of the Sea”, “Wolves (Song of the Shepherd’s Dog”, “Peace Beneath the City”.
  8. Tom Brosseau - Live at Largo Tom Brosseau, Late Night at Largo. At this point, you have to mail a check to Tom Brosseau’s management to get a copy. It is worth your time in doing so. I’ve written about Brosseau before, but here he is in a nutshell: North Dakota boy moved to LA that writes about home because he both misses it and hates it, in a way. If you grew up in a cold climate and have moved to warmer latitudes, you know where he’s coming from. His music has a sense of ironic detachment, but it’s also just plain good. Also, he sings so high that he makes Thom Yorke in falsetto sound like Barry White. Favorite Tracks: “Rose”, “Broken Ukulele”, and “Young and Free”.
  9. Matt Costa, Unfamiliar Faces. Okay, I’ve got a thing for young guys who write songs about not getting the girl, or getting the girl and losing the girl, but … dude, this guy can rock it up. Favorite Tracks: “Emergency Call”, “Heart of Stone”, and “Miss Magnolia”.
  10. Matthew Perryman Jones, Swallow the Sea. Unlike most years, this is the only time when an artist I personally know appears on the list. I think that most of that is because I’m becoming harder on my friends’ more recent albums, honestly. ๐Ÿ˜‰ But MPJ made a killer, killer record here, a worthy followup to Throwing Punches in the Dark, which I was afraid that he wouldn’t be able to top. He topped it, though. Favorite Tracks: “Save You”, “Motherless Child”, and “Feels Like Letting Go”.
  11. Led Zeppelin, Led Zeppelin IV. There is nothing I can add to this that hasn’t been said, eh? This is my favorite Zep album, even if it doesn’t have all of my favorite songs. Favorite Tracks: “Black Dog”, “Rock and Roll”, “Stairway to Heaven”. I mean, duh.

What about you? Do you have some of these records and violently disagree? Did I overlook something to the point that you’re ready to shake me for not listening to it? I wanna know.

The Darkest Night of the Year

[blackbirdpie id=”1070624371″]

Will’s exactly right. I have tried to spend the solstice in the same way the last couple of years: listening to Over the Rhine’s The Darkest Night of the Year:

You can buy it from Amazon by clicking the image above, go grab it at overtherhine.com, or buy it through iTunes.

At the moment this entry goes live, it’s sunset on the winter solstice in 2008 in my city. From my house to yours, have a Merry Christmas.

GNM: Over the Rhine, 2007-10-05: Buskirk-Chumley Theatre, Bloomington, IN, USA

This lovely matrix courtesy of Archive.org:

Karin Bergquist – vocals, acoustic guitar, piano, percussion
Linford Detweiler – keyboards, acoustic guitar, electric bass, vocals
Jake Bradley – upright and electric bass, electric guitar, vocals
Mickey Grimm – drums, percussion, vocals
Molly Felder – vocals, percussion

This concert took place on Karin & Linford’s 11th wedding anniversary.

Source: SBD (mono) + AKG 481 (DIN, 3′ ROB slightly ROC, 55′ from stage 7′ up) > Oade ACM R-4 @24/44.1

Lineage: R-4 HD > USB > Cool Edit Pro 2.0 > CD Wave > FLAC Level 6

Board feed split left & right, mixdown is approx. 60/40 mics to SBD

Processing in CEP: Volume adjustments, soft limiting on left mic channel to constrain enthusiasm of engineer, mics/SBD synchronization, fades, final mix dithered to 16 bits

Many thanks to Dave “Juicy” Foreman for the great mix!

release2007-10-05: Buskirk-Chumley Theater, Bloomington, IN, USA (disc 1) and release2007-10-05: Buskirk-Chumley Theater, Bloomington, IN, USA (disc 2).

GNM: Over the Rhine, 2007-08-31: Moonlite Gardens, Cincinnati, OH, USA

Over the Rhine’s got a great backlog on Archive.org, and this show is a part of it.

matrix:
1)sbd>Mytek Stereo192(24/48)>MT
2)MG200(DIN, 12ft. up, 10′ left of soundboard)>modUltralite(24/48)>MT
both:cardreader>CEPro2.0>CDWav>FLAC(level8)

processing included auto-conversion to 32b.f. format, EQ, mixing, fades, Waves L2 with dither to 16 bits.

I love me some SBD/AUD matrices … enough that I was awful excited today when TEAC/Tascam called me to tell me where they were in repairing my DR-1. Woooo! Anyhow, ShawnF does good work, too.

release2007-08-31: Moonlite Gardens, Coney Island, Cincinnati, OH, USA (disc 1) and release2007-08-31: Moonlite Gardens, Coney Island, Cincinnati, OH, USA (disc 2) will get you all the metadata goodness!

Geof’s New Music: 2-8 Nov 2008

Let’s get back on track …

Here’s what I did the last time around, a month ago