Who to Follow?

[blackbirdpie url=”http://twitter.com/gfmorris/status/20765232877″]

[blackbirdpie url=”http://twitter.com/gfmorris/status/20765312756″]

Seriously: Facebook gets network effects from having users network with each other, as it learns about the connections between people and can improve their social graph. Facebook aggregates a lot of complex, contextual interactions with how people relate to each other: family, spouses, love interests, college friends, elementary school friends, colleagues, etc. Twitter is all about three things: followers, following, and lists. Twitter lists are limited: you can only have twenty of them. Twitter is working with a sparser set of data [fewer variables], and for that matter, data that requires greater inferences. If I list Rick and Jessica as people I’ve known since high school, it can be surmised that there’s a stronger bond there than … well, how do you determine any bond’s strength on Twitter? Furthermore, even Facebook doesn’t know that I was the best man in R&J’s wedding—not even if we start posting photos from the wedding itself. [If it can, well, it’s sentient, and then I gotta take drastic action.]

One can draw inferences about networks on Twitter, of course. You could look at the concentration of, say, Whiskerino alumni and figure out, eventually, that all of us know each other somehow. You’re going to better understand this, however, with a list. I get that Twitter may be trying to draw more information about the interactions between its users, but “features” like Who to Follow generally just end up pissing the very people who’d help grow your network off. On that score, count me in with Derek.

Reviews of Geof’s New Music for 2010-05-16

  • The sophomore Kings of Leon record was the same song, over and over, for the whole record. Meh. Two-and-a-half stars. #
  • And yes, the @sandramccracken live record gets five stars from me. Duh. #
  • The second half of @sandramccracken's /In Feast or Fallow/ really shines. Four stars from me. #
  • The great thing about @derekwebb producing for @sandramccracken is that he knows that nothing can come between the listener and her vocals. #
  • The Jackopierce is quite good; four stars. My big niggle with it is that the crowd is nowhere to be heard. Audience mics, people. #
  • That Arthur Alligood single is pretty great. Four stars. #

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Reviews of Geof’s New Music for 2010-05-09

  • The Bazan record gets four stars from me. [Been very slow in getting to it.] #
  • The KoL gets 4 stars from me. Good, fun rock. #
  • The Manchester Orchestra stuff was solid, as it always is. Three-and-a-half stars. #
  • The @mpjmusic EP gets three stars from me. It's a nice hold-you-over until he can get another full-length album out. 🙂 #

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Putting Things on Probation

So the other day, Chris and I were having one of our typically nerdy email conversations. The subject of feed reader workflows came up, and I said:

I think decluttering [feeds] is a task worth doing about once a month. I keep a Probation folder for new feeds and only move them out after I wonder, “Why haven’t I filed this elsewhere?”

Chris loved the idea. It made me think, though, about how I don’t extend this concept elsewhere in my inputs. Especially with the Twitter. Hence @gfmorris/probation. Folks I put in here are potentially going to get perma-followed if I find that they add value to my incoming Twitter stream. Also, it will give me pause to think about reworking my lists as I see fit. I am currently in need of whacking the “celebrities” and “humor” lists in favor of writers and maybe sports. I’m still cogitating on what that means.

But anyway, back to the probationary stuff: I think that’s key for dipping your toe in the water with any new input you acquire: you can pay it the proper amount of attention [read: low]. If you find yourself asking the question I ask above, well, you know that it needs a higher level of attention.

Of course, the counter is that we need a to-be-demoted list for things that might need to be culled. Have to mull on that one a while.